Mythosoma

Imperfect, reverent, and poignant, Mythosoma invites us to feel, to reach into those wounded parts of us and be open. This theatre and dance piece is beyond interpretation, not because it is too high brow, but because each audience member will have their own extremely personal reaction. I have no doubt that this is its uniting factor; that trauma affects us all differently.

This piece does not try to be perfect, but rather to illustrate the visceral feelings that occur after heavy-hitting moments that words fail to describe. Humour is used tactfully and tastefully, planted in the right moments to preserve emotional momentum. Under Kelly Nash’s direction, the production settles but also stirs in unexpected ways. 

I am in awe of how Nancy Wijohn, Jada Narkle, Georgie Goater, and Caleb Heke move; the way they twist, turn, and navigate the memories their bodies hold. Every movement enthralls. We are called to lean in as observers, not to interpret what is placed before us. Likewise, Moana Ete’s narration and vocals provide a sense of grounding, of realisation and revelations. All five of these performers work as one, yet they tell their own stories. 

With production management and design collaboration from Rob Larsen, we are presented with a scenographic delight. Each lighting state draws us closer to the performers as well as our own feelings. The soundscapes are raw. The combination of lighting and sound results in an evocative experience for our eyes and ears. 

I was moved to tears by this piece. Be warned that it may take you on a powerful and possibly painful emotional journey, but the feelings that linger after and the healing you might undergo will make it entirely worth it. Mythosoma brings to life how we feel in our bodies during and after moments of impact, a task that Body Island – Motu Tinana achieves with flying colours where very few have been able to. Kia toa, Mythosoma.