The Night Ali Died - Reviewed by Oliver Mander | Regional News Connecting Wellington
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The Night Ali Died

Written by: Christopher Sainton-Clark

Directed by: Rosanna Mallinson

Gryphon Theatre, 21st Feb 2026

Reviewed by: Oliver Mander

The Night Ali Died is a gripping story beautifully told. Pre-show, we see a single central chair, with two distinct piles of clothing in each upstage corner. This simple staging creates opportunity for the sole actor, Christopher Sainton-Clark, to shine.

And shine he does.

Each character in this criminal drama recounts the events before and after the death of mild-mannered chemist Alistair (‘Ali’). As they unpick the events of that fateful night, each offers their own back story and perspective. From drug lords to detectives, motivations gradually come into focus.

For Alistair in particular, this is a simple and honest account that invites reflection on who matters in our lives – and the role we might play in theirs. Chances are, our actions or character make each of us a hero to someone. In this story, Ali’s actions define him as a hero to the daughter he will never know. Yet the invitation to reflect never feels like lecturing; it remains, first and foremost, a compelling story.

Sainton-Clark uses mime to accentuate key elements; from the recoil of a gun to the grip of a knife, we are left in no doubt as to what has occurred. His multiple characters are sharply differentiated through mannerisms, movement, and speech.

The technical precision of this production is almost cinematographic in nature. It’s as if we’re watching carefully constructed scenes from a movie, but performed live in one slick, classy ‘take’. Lighting cues, including the use of brief blackouts, heighten the drama, while sound and music reinforce the mood (collaborative design by Sainton-Clark, director Rosanna Mallinson, and technical lead Daisy den Engelse). A minor quibble is the placement of sidestage curtains allowing an open view of backstage. I say minor because once the performance gets underway, I never take my eyes off the action on stage.

Wellingtonians have experienced something special with this limited two-night run of The Night Ali Died. There’s still hope for audiences in Christchurch, Oamaru, Nelson, and Dunedin over the next few weeks.

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